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c. 1445 – May 17, 1510. Italian painter.

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Gerard ter Borch the Younger
Three Figures conversing in an Interior, known as The Paternal Admonition

ID: 93615

Gerard ter Borch the Younger Three Figures conversing in an Interior, known as The Paternal Admonition
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Gerard ter Borch the Younger Three Figures conversing in an Interior, known as The Paternal Admonition


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | A mother combing the hair of her child, known as Hunting for lice | Portrait of Helena van der Schalcke (1646-1671). | Portrait of Johanna Bardoel (1603-1669). | Portret van Don Caspar de Bracamonte y Guzman | De Koestal |
Related Artists:
Oost, Jacob van the Younger
Flemish, 1637-1713
CAVALLINO, Bernardo
Italian Baroque Era Painter, ca.1616-1656 Italian painter and draughtsman. He was the most individual and most poetic painter active in Naples during the first half of the 17th century. He painted mainly small cabinet pictures, on canvas or on copper, for dealers and for highly cultivated private patrons; he had few public commissions and apparently never painted any large-scale decorations for private or ecclesiastical patrons. His subject-matter is largely derived from the Old and New Testaments, the Apocrypha, Tasso and from Roman history and mythology. Documentary evidence for his life and work is almost non-existent, and he remains enigmatic and elusive as a historical figure. Yet as a painter he is strikingly distinctive, uniting a refinement and virtuosity of brushwork with an intensely naturalistic observation of surfaces, and complex and dramatic compositions with an extraordinary brilliance of palette. Only eight pictures are signed, initialled or inscribed with Cavallino's name. No works are documented and only five may be tentatively identified with pictures in mid-18th-century Neapolitan collections described by Bernardo de Dominici.
robert herrick
The English poet and Anglican parson Robert Herrick (1591-1674) invented a fanciful world compounded of pagan Rome and Christian England, of reality and fantasy, which he ruled as his poetic domain.






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